| Dolemite It's The Sixth Mass Invasion, Jive Bitches! |
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| Dolemite-The baddest, illest, mothafucka you've eva seen! Also some sort of poet/rapper and a pimp, cause those things naturally go hand in hand. Queen Bee-Dolemite's...friend? Partner? Aquantince? Certainly not girlfriend or wife cause he gets it on with every OTHER female in this movie. Took care of the place while the Master was away. Detectives Mitchell & White-Two crooked cops who spend every waking hour trying to put Dolemite in prison. Willie Green-A former friend of Dolemite who betrayed him and is now this film's "bad guy". I put that in quotes cause he doesn't really do anything. Blakeley-An F.B.I agent. You spend the whole movie trying to figure out his angle. The Reverend-I wanna go to this church. He gets it on with the ho's in his congreation and loves guns. Lots and lots of guns. Mayor Daley-I swear this is his name. Of course he's crooked and is part of the conspiracy to put Dolemite in prison. The Hamburger Pimp-Picture Wimpy but on crack. You got this guy. Dolemite's Girls-Dolemite has the superhuman ability to get it on with all of them at the same time. While he was in prison, they learned karate. The Boom Mike-It gets a mention here cause it shows up so many times in the movie it might as well be a character. |
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| One night, about a month or so ago, I was sitting at my desk, staring off into space like I'm normally known to do. I was lost in thought, thinking about what the next Mass Invasion would be. I looked at all kinds of lists and read different books and came up with a few ideas but none of them sounded good. We already tackled two Hollywood films that failed miserably, it was time to go back and do an actual B-grade film, maybe something older, and something that wouldn't be too painful to watch.
As I'm contemplating all this, my lovely fiancee Felicia, who now sits at her desk behind me stated "Aw, Rudy Ray Moore died". It was then at that instant that I had a vision. The image of Rudy Ray Moore appeared to me (yes the instant I heard he died he appeared to me, if you don't believe me, fuck you and get your own story) and said to me "If you are lookin' for doin' a movie that's groovy, then you should be reviewin' my movie! You honky ass mothafucka!". It was then that I knew what had to be done. We had to take on "Dolemite". Dolemite is the brain child of Rudy Ray Moore, a late 60's/early 70's comedian. He used it has a character on many of his comedy albums, so it was only a matter of time he would have to bring it on to the big screen. If you need a clear definition on what "blaxpoitation" means, look no further than "Dolemite". And holy hell is this movie bad. There's so many things wrong with this movie that after 20 minutes I just gave up counting them all and just laughed anytime I noticed a huge mistake, mainly filming wise. I sort of have the feeling Rudy Ray Moore rented a camera, got some people he knew and said "Let's make this mothafuckin' movie, bitches!". He's sort of like the black Harold P. Warren. Well, we'll all get to how bad this movie is in due time. For now, let's just introduce the line up shall we? And in honor of Mr. Moore I'll do my best to give everyone "Dolemite" inspired nicknames. Mass State Maria kicks this mothafucka off with chapters 1 and 2. Slippery Sean is next with chapters 3 and 4. Jive Ass Jason will lay the smackdown on chapters 5 and 6. Afro Adam pimps chapters 7 and 8. That Jive Turkey Jason returns like a mothafucka to get it on with chapters 9 through 12. . Eh, there's probably a reason why I don't roll with the pimps and the ho's. Word |
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| Maria Dolemite is pretty bad. And I don't mean the good kind of bad, I mean the bad kind of bad. |
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| From the moment that Dolemite begins you can tell that there will be no Academy Awards given for acting or directing or cinematography. No, Dolemite isn't about making a quality movie, it's about boobs, drugs, and a puffy guy doing karate. At least that's what I think it's about.
We open our movie with a cell door opening. There's a giant black thing taking up at least a quarter of the screen. It's just something in way and if they moved the camera five inches to the right it wouldn't be there, but I guess they didn't think it was a problem. There's Dolemite, our hero, on the top bunk in the cell. It's a pretty nice cell too. Four comfy bunks for only two guys and a cute little toilet. The prison guard informs Dolemite that the warden wants to see him. "Oh poopie!" say Dolemite. "What does that very nice, pleasant guy want with me?" The guard leads Dolemite out of the cell and his face is covered buy the black thing. We get to the warden's office which is ninety percent fake wood. Mama Queen Bee is there too, wearing her most outrageous prison visiting 70's outfit. Queen Bee has been harassing the poor Warden about Dolemite being innocent the entire two years that Dolemite has been in prison and now the Warden believes her. That's the same way Capitol One got me to sign up for a credit card. So the warden wants proof about Dolemite innocence. So that means he's going to let Dolemite go? I think? So Dolemite can get proof? Flashback to what Dolemite did to get in jail! When I first saw it I didn't realize it was a flashback. I thought they let him out and he got caught right away and they sent him back. Several greasy 70's mobster looking policemen show up at Dolemite's house. It looks like he just woke and is going down the end of the driveway to get the newspaper. He's wearing pajamas and a nightcap. Or maybe that's an awful 70’s outfit. Here we see Dolemite's amazing acting ability. He's almost as good as Tor Johnson! Heck, everyone in the movie’s acting is almost as good as Tor Johnson's! The policeman wants Dolemite to open his trunk. Dolemite asks him where his warrant is. The policeman says he doesn't need one even though both Dolemite and I know he does. He opens the trunk and oopsies, there’s a whole bunch of drugs in there. He puts up a bit of a karate like fight but in the end it looks like they finally caught old Dolemite. |
| Chapters 1 & 2 Written by Maria |
| Dolemite 2: This Time He's Sent To The Principal's Office |
| "Here's a picture of me before the mutton chops. NOW do you recognize me?" |
| "Uh, Dolemite sold me this turtleneck! YEAH! Arrest him!" |
| What Weezy Jefferson was doing before meeting George. |
| Back in the Warden's office the Warden tells him how over the past two years that Dolemite's been in prison the drug and gun trafficking has gotten even worse. Queen Bee tells him in flashback form, this time using the waving flashback stuff, that Dolemite's nephew was murdered a few days before while he was walking home from school. “Somebody had to sell the gun to the ‘lad’ that pulled the trigger,” says the warden. So they're going to release Dolemite so he can go undercover and uh, find the guys with all the guns and drugs. Queen Bee is so happy that Dolemite is coming home she magically starts crying!
Yes! Now it’s time for funky 70's blaxpoitation theme song and movie titles! “Who's the puffy guy with man boobs, who's a hit with all the karate knowing chicks?” “It's Dolemite!” “Damn straight!” The song goes on to say he's bad and totally out of sight and a tough son of a gun yo. Dolemite is out of jail and all of his lady friends have come to pick him up. He doesn't like what they gave him to wear so luckily the girls have brought him something 'nice' to change into. He starts undressing right there in front of the prison with all the prisoners in the yard watching, much to the befuddlement of the prison guards. He has plenty of help from the ladies. I wonder who dressed him while he was in prison? I don't know why they bothered dressing him anyway. The moment he gets in the car they start undressing him. The only white lady in the car is already half naked and she’s touching Dolemite and kissing his chest. The other lady starts kissing his chest too and unbuttoning his pants and then her head gets lower and oh no, what's going on!? Aaaah! Phew. They cut to the outside of the car before I have the opportunity to lose my lunch. A group of guys are following Dolemite in a big beige car and they want Dolemite dead. Dolemite knows how to handle this. He gets out of the car and the ladies almost run him over with it. The bad guys pull up to the car with all of Dolemite's ladies. "Where’s Dolemite!?" the guys ask. "He’s not in here! Look for yourselves!" "Dolemite isn’t in the car!" says one of the men. Oh yeah, you think? You're practically in the car yourself. Maybe you should have notice that a giant man wasn't in the car with you. "So where is he?!”" "Breathing down yo necks!" Dolemite comes running out of the woods shooting away. Three of the bad guys fall down in the floppiest way possibly. The last bad guy is on his hands and knees in front of the car trying to sneak away and probably wetting himself. "I’ve been wanted to see this honky dance!" So Dolemite starts shooting the ground in front of the guy and the guy starts having a spaz attack. "This guy’s got rhythm!" Then Dolemite shoots the guy. "Let’s go ladies!" Yup, Dolemite's been out of prison 10 minutes and he's already killed 4 people. |
| Dolemite's Secret: He's scared of dressing rooms. |
| "Say hello to my medium sized friend!" |
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| Chapters 3 & 4 Written by Sean |
| Having accepted the warden's deal, Dolemite is back on the streets. He
returns to his stable of hos, and meets up with Queenie Bee in his finery. We are introduced to Willie Green, and find out that he's a high stakes playa who has taken over most of his business, and put Queenie Bee in deep debt. Due to a lack of a strong pimp while Dolemite was in prison, Queenie Bee put his girls through karate school. They are good at it too, as the subsequent video of a hooker kicking a guy's ass proves. In the next scene, we see Willie Green going through the massage parlor, looking in on all the various massages going on. It's a very 70's scene with lots of hair, male ass, and tits. Not really sure why this is in the movie, except maybe to add character to Willie Green and pad the movie with a little sex comedy. It jumps to another 70's scene between Dolemite and Peggy, his favorite ho. Apparently, she was lounging around all day with no panties, letting things air out, when Dolemite comes in, likely out of his mind on drugs, and pulls out his sensual seduction techniques. The scene ends with the lady going at his belt and fly, getting ready to pull out those techniques. The next scene Dolemite is going to get into his car after the lovin', when the agents approach him. Dolemite drops some rhymes, the boom mic operator drops the boom mic, as he gets hassled by the man. Damn you, The Man! Mitchell does a little coke, while Agent Ron Pearlman Jr. gives him a hard time. They try to run him out of town with blackmail and give him the beat down, until Dolemite shows off the skills to pay the bills. Hell yeah, karate fight scene. Dolemite gets pissed and sprinkles their coke everywhere, and tells them off. Now we are taken to the church of an arms dealing reverend. He gives some timely political commentary about the Watergate scandal. His following agrees. Mitchell and Pearlman Jr. show up looking for Dolemite and to keep the black man down. They find his collection of guns, after shooting a nonexistent lock off the crate. Now we get to the best character, or perhaps the worst, the Burger Creep, everything Ol Dirty Bastard hoped to be in his life. He tries his finest hustle to get a burger out of the poor fast food worker, and with a pinch of luck, he manages and succeeds. Funky music plays as the Burger Creep struts down the street. |
| It's like someone took the entire 1970's and put it in this room. |
| Lower right hand corner: Special cameo apperance by the Boom Mike and it's operator! |
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| Chapters 5 & 6 Written by Jason |
| Dolemite arrives somewhere and is instantly accosted by a big group of 70's homies. Two of them placed a bet that Dolemite is really Dolemite and they want him to prove it. After spending a minute saying he's too busy for this shit, he launches into a 3 minute beat poem about the Titanic and some dude named Sean. I should've gave him this portion to review.
I'm guessing one of two things here. One, this is a popular bit by Rudy Ray Moore/Dolemite and it just HAD to be included in the movie. Or two, Rudy Ray Moore made this whole rhyme up on the spot. After said poem or whatever it is is done, the dudes are convinced and the bet is won. Someone's getting a blowjob later! Dolemite then walks 3 feet and runs into The Hamburger Pimp and his trusty sidekick, The Boom Mike. The Hamburger Pimp tells Dolemite that he (the Pimp) is so badass that he kicks his own ass, so Dolemite better watch the fuck out. Ah, crackheads, you gotta love 'em. Soon, Dolemite gets to business and wants to know what happened to his nephew or son or whoever Jimmy that got killed. This Jimmy thing gets mentioned maybe once or twice in the whole movie, and I don't think it really ever gets resolved. But we got a Hamburger Pimp and dammit we need him for something. Dolemite suggests they leave so they can talk, which means leaving the Boom Mike and It's Operator, whom we clearly see. Oddly enough the next two minutes feature characters talking but we don't hear what they're saying. I'm guessing Rudy Ray Moore skipped the day in film class when they discussed sound and audio. In fact he may have skipped film class altogether. Dolemite and The Pimp show up at The Pimp's apartment and it's pretty much what you'd expect a crackhead's apartment to look like: peeling wallpaper, a messy bed and one chair. The Pimp shoots up and is about to go catatonic, but Dolemite wants to know about Jimmy, so he slaps The Pimp around. Hey! The Pimp is suppose to do all the slapping. Well, I guess Dolemite is a pimp so two pimps don't equal a right I guess. The Pimp stays awake long enough to tell Dolemite that he was at the pawn shop when it happened and Jimmy tried to go to the cops about something and something else when he got shot. It's not too clear cause the guy playing The Pimp must've really been high since he's mumbling throughout this whole scene. After revealing whatever it was he revealed, two random dudes just suddenly show up and shoot The Pimp dead. Aww! I wanted him to have his own movie! "THE HAMBURGA PIIIIMMMP!! He eats greasy burgas while kickin' mothafuckin' ass, turkey!!" Dolemite springs, well jumps, well, awkwardly moves into action and air punches these dudes until they're air punched dead. Of course within seconds the cops show up. Who says cops never respond to shootings in the hood? And of course it's our crooked cops that show up. They immediately pin all the dead bodies on Dolemite and arrest him for murder. Or as the one cop says rather awkwardly "more like a slaughter." Hell, everything about this scene was awkward. Agent Blakely shows up at the Reverend Jeremiah Wright's place, who's busy getting it on with some large 50 year old lady, probably a parishioner. The Reverend tells her to hide while he talks to Blakely. He immediately notices the woman's panties on the floor and more or less shoves them in the Reverend's face. End scene. Suddenly it turns into "Flavor of Love" at Dolemite's brothel or whatever when one girl accuses another girl of stealing something. Queen Bee won't put up with this and demands the Thief to return whatever it is. Reluctantly she does and is instantly voted off the brothel. Suddenly everyone laughs at her, but it's ok cause The Thief is gonna get her own spin off called The Thief of Love! Only on VH1! Blakely pays Dolemite a visit in jail and wants to know if he knows Willie Green. Dolemite is less than helpful and Blakely rather rudely knocks down some dude's tower of dominos. Ohh, maybe it's symbolism? Like Blakely represents all the black people who do white people's bidding (There is a word for that but I rather not use it in fear of getting bombarded with "THAT'S RACIST!" email's) and the dominos, which are black, represent the struggle black people have rising up in this country! Damn, this movie is deep. Eventually, Dolemite is released on bail and picked up by some chick named Pinky, who use to roll with Dolemite back in the day. And since Dolemite is within a 5 mile radius of a chick, he instantly starts to bone her. And it's hard to put in words how awful this editing job is. To give you some idea, Dolemite is groping Pinky while some groovy song is playing. Then suddenly the lyrics change mid-sentence while Dolemite instantly teleported to the other side of the bed. It's like someone with A.D.D and Parkinson's edited this movie. Dolemite asks Pinky how she got the money to bail him out, knowing that someone gave it to her so he can be out of jail and be an easy target. Pinky denies any of this so Dolemite proceeds to "fuck the shit out of her", which also turns into an awkward sex scene, with Pinky making the funniest "O" face I've ever seen |
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| Ok you got me, I just needed an excuse to include a Boobie Shot. |
| Dolemite is now outside using a pay phone to call Chi, one of his favorite girls, to get some key or something from his room and to meet him at his old club. She arrives to find Willie Green's goon's watching girls trying to dance. One of the goons hits on Chi and when asked who she's waiting for, Dolemite teleports into the club and declares "Me, mothafucka!" and walks into the office.
Some guy follows Dolemite and I swear they didn't write him any lines so they told the dude to just describe what Dolemite is doing and every now and then say "you can't do that!". Dolemite rips up the carpet ("Why you rippin' up the carpet? You can't do that!") and then he pulls out some money ("Why you pulling out that money? You can't do that!") then he walks out ("You can't walk around here like you still own the place! You can't do that!") and throws the money on the table and tells the goons "Willie Green has 24 hours to leave my club...and 23 of them are already up." This was then proceeded by Roger Daltrey yelling "YEAAAH!" Another awful fight scene occurs and Dolemite and Chi leave. Not even 5 seconds later Willie Green walks in. Um, wouldn't they have ran into each other at some point outside the club? I guess Dolemite and Chi teleported out. The goon tells Willie that Dolemite came in with 10 men with machine guns, but Willie knows better and bitch slaps the goon for lying. With a final "Fuckin' Dolemite!" this scene and chapter comes to an end. |
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| Chapters 7 & 8 Written by Adam |
| Queen Bee & Dolemite go to watch the karate hookers practice at the dojo. As they watch the really bad choreographed fighting, Dolemite tells Queen Bee that he bought the club back from Willie Green. Queen Bee, obviously wanting to know how he could afford to do this when he just got out of prison and she and the girls had to "sell their pussies on the street" to make ends meet, asks for an explanation. Dolemite says, "I knew if I ever went to prison, it would be for something big." Although I think that's a piss poor answer, Queen Bee seems to be okay with it.
Dolemite then gives a pep talk to the karate hookers. Among other things, he tells them that "Dolemite is my name and fucking up motherfuckers is my game!" Then he dismisses them so that they have time to prepare for the grand reopening of Dolemite's club. Next, the mayor (who we're just being introduced to now, more than halfway through the movie) is having a fundraiser at his house. Willie Green shows up and demands to see the mayor. The snotty butler refuses, gets roughed up, and then the mayor has a private meeting with Willie Green. Willie Green is upset about Dolemite being back on the street but the mayor tells him that he got Dolemite released so that the mayor's goons can carry out a hit on him. That makes sense, because they don't normally let people out of jail when they're in for murder; especially if they haven't even had bail set. Willie Green leaves and the mayor makes a phone call to somebody telling them to kill Dolemite AND Willie Green. Oh, that evil honkey! Dolemite gets a phone call from the weird gun-running Reverend. He wants money for a tip that will apparently benefit Dolemite in some way. Dolemite and his lady go down to the funeral home where the Reverend is hanging out. Dolemite advises her to stab any ghosts that she sees. I don't think Dolemite fully understands the concept of a ghost. He gives the Reverend $200 for the tip, is told to go down to the docks, and then guys who were playing dead rise out of the coffins and point guns at him. He leaves. Then he goes down to the docks and finds drugs hidden inside fish. And high levels of mercury, too. |
| "I look like a hairy Shawn Wallace all 70's-fied? Improbable!" |
| Mr. T IS Dolemite! "I Pity The Fool Mothafucka!" |
| The next thing we know, the club is opening. It's an extravaganza of tackiness. If rhinestones were gold, this club would be Fort Knox. Also, I've never seen furry pimp hats before.
Queen Bee introduces Dolemite and plugs his real life comedy albums. But before Dolemite comes on stage, the "Dolemite Dancers" come out and do this weird, stereotypical tribal dance that lasts just about forever. Just when you can't take it anymore, Dolemite comes out wearing an outfit that would have given Liberace a pause. He does this long rap/joke about a monkey, a lion and an elephant. It was pretty fucking elaborate and I couldn't follow it (much like the plot to this movie), but when he was finished the audience gave him a big ovation. Dolemite finishes his relatively short set and changes to a different tacky outfit backstage. He then goes out to Willie Green's table. Willie Green tells Dolemite that he can't buy the club back for $50,000 because with interest, it now costs $100,000. Dolemite is pissed, then the chapter changes abruptly and I'm done. Who the fuck designed this disc? |
| For a brief time, Earth, Wind, & Fire hired The Village People's manager. |
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| Chapters 9-12 Written by Jason |
| Picking up where Adam's last scene took place, Dolemite finishes his meeting with Willie Green basically saying go fuck yourself and walks away. Willie, rather loudly, asks for the gun cause he's gonna kill Dolemite and before you can say BAR FIGHT there's a bar fight.
It's the most confusing fight ever cause I couldn't tell who were the good guys and who were the bad guys. At one point someone goes into the kitchen and starts shit with the cook. But as Steven Segal taught us in "Under Siege", you don't ever fuck with the cook. Willie finds Dolemite and they start fighting. Dolemite, after being shot at, seriously thrusts his hand inside Willie's chest and rips something out. Maybe his heart, who knows, the editor's A.D.D and Parkinson's didn't clear up any. Blakely shows up and shoots Willie, saying "There, it's on me now" like bullets are responsible for having someone's heart being pulled out of their chest. Blakely takes Dolemite out the back door before the crooked cops show up. We're then treated to the delightful sight of the Mayor's chubby ass as he's fucking some black chick. Well, I don't think they were fuckin cause her panties were clearly still on. Anyway, the Mayor gets a call from Mitchell saying Willie Green is dead and Dolemite is responsible. The Mayor then puts a hit on Dolemite. To make things more confusing, the black chick he was panty fucking pulls a gun on the Mayor and says "I HAVE HAD ENOUGH!" but some other chick comes and kicks her ass. But black chick manages to shoot other strange chick, which pisses the Mayor off and he proceeds to choke the fuck out of her. All the while seeing his chubby ass. Thanks Rudy Ray Moore! Blakely shows up to the Mayor's house but the two god awful acting guys from Dolemite's flashback in the beginning are there and they plan on killing Blakely by having him take so much heroin that Nikki Sixx would go "Dude, that's too much", then throwing him in the pool. Cause you know the instant you're injected with heroin you have no control over anything, including simply walking out of the pool. Blakely does the "Make you look" on our bad actors here when the Mayor is fleeing his house. Killing a black chick in your house doesn't look good, but leaving her body in your house looks worse. Blakely chases after the Mayor, which ends at an airport. I guess to be the Mayor you need a pilot license? Anyway, Blakely shoots the Mayor and he's dead. |
| "Oh no! There's a chubby hairy groovy 70's-fied Mayor on the wing of the plane!" |
| Dolemite is in the hospital and Blakely tells him there's a hit out for him. Dolemite doesn't seem to know that Blakely is F.B.I and thinks he's gonna be the one to kill Dolemite. But no, Dolemite, Blakely is our friend! He only acted like a jerk to you and everyone as part of his cover. Knowing that some hitmen are on their way, they put Blakeley's "master plan" to use.
The hitmen show up, not bothering to blend in and NOT look like hitmen, and find Dolemite's room. They see some lumpy thing under some covers and naturally assume it's Dolemite so they shoot at it. When the smoke clears, Dolemite comes running out of the bathroom and does his air karate on them. Blakely joins in and shoots them. I was disappointed cause there's a big plate glass window in the room but no one fell through it. And of course Mitchell and White show up to arrest Dolemite but Blakely arrests THEM. For framing Dolemite. I guess. And maybe for the murder of Jimmy? Did they solve the murder of Jimmy and I missed it? Was Jimmy even needed to be mentioned? Who knows. Since more hitmen are bound to come after Dolemite, he has to go into hiding, which means the club has to close down. Blakely asks him where he's gonna go and before Dolemite can answer, the scene freezes and the credit starts. But before you think it's a mystery that won't be solved until the sequel, Dolemite answers in typical beat poet fashion over the credits. Frankly, I forget what his answer was but I really don't care. The best thing is the credits themselves. Apparently Rudy Ray Moore was the set decorator, which explains volumes. And let's not forget the special shout out to "Chuck Norris Karate School". That too explains volumes. |
| "Yep we're totally concerned friends, not hired hitmen. Nosireebob, not hitmen at all." |
| For those of you who play "Six Degrees of Chuck Norris". |
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| Sean This movie is Blaxpoitation at its finest. Terrible production quality, terrible acting, nonsensical plot, tits, ass. Despite all this, Dolemite truly is a hero and a real pimp, and doesn't let anybody keep him down. My favorite character is The Burger Creep. He's a Wimpy for the 1970's. It doesn't really make a whole lot of sense, but it sure is cool about doing it. |
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| Adam Watching Dolemite is an experience. It's almost surreal. The plot is an elaborate tale of the common man triumphing in a corrupt world where he can't trust anybody. But the acting…dear Jesus…is inexplicably awful at all times. The dialogue reads like something out of a comic book written by a 10 year old with both Down's & Tourette's syndromes. And then there are the fight scenes. The "karate" moves look like they're done by people who just regained the ability to move their legs and every scene with guns would have been just as convincing if the people would have held up their thumbs, stuck out their index fingers and yelled "BANG!" Still, Dolemite is fun to watch, and not just in the "so bad it's good" way. Even though Rudy Ray Moore doesn't pull off the action scenes and his jokes are seldom funny, he's entirely likable as the jive-talking joke-rapping pimp with a heart of gold. You can't cheer against him or his hive of karate-wielding prostitutes. That's why Dolemite gets… |
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| Jason I haven't seen that many blaxpoitation films, just two or three. Compared to the few that I have seen, those were done much, much better. "Dolemite" on the other hand, looks as if some bored people got together one day and decided to make a movie and the only budget this thing had was whatever pocket money they had at the time. But on the other hand, all the awfulness provided me with tons of entertainment. I don't remember laughing so much before at crappy editing, acting, lighting, fighting, blocking, and beat poetry. This is definitely a movie you wanna watch with a group of people, at a party, while tons and tons of drinks are being served. OH! And here's a fun drinking game: anytime Dolemite says "mothafucka", take a shot. And anytime you notice some technical problem with the film-well nevermind. You'd be dead in 10 minutes. |
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